OICA Letterpress to print Cherokee Syllabary

by Jan 15, 2010NEWS ka-no-he-da0 comments



This example shows a character from the Cherokee syllabary that will be used for the new letterpress at the Oconaluftee Institute of Cultural Arts in Cherokee. (Photo courtesy of Rose Garrett/SCC)

Art comes in many forms and the newest addition to Southwestern Community College’s Oconaluftee Institute of Cultural Arts is actually old. It’s a letterpress that will be used to print books in the Cherokee syllabary.

“We are bringing back the Cherokee history in true art form,” said Luzene Hill, OICA progam outreach coordinator.

Years ago the Eastern Band published a newspaper called Tsa la gi Tsu lehisanunhi, or the Cherokee Phoenix. This first Native American newspaper was printed on a hot-type letterpress in which each word is put together by hand, combining individual metal letters or characters.

Through a $68,846 grant from Cherokee Preservation Foundation and a $47,792 grant from the Institute of Museum and Library Services, OICA will purchase a metal press and develop a print-making studio at its facilities on Bingo Loop Road in Cherokee.

“It opens up a whole new craft of Book Art for us, including print making, hand papermaking and hand bookbinding,” said Hill. “For our students Book Art will blend fine arts with crafts.”

Sequoyah, the inventor of the Cherokee syllabary, recognized that conveying ideas in language was powerful so he spent 12 years developing the Cherokee syllabary, completing it in 1821. Each character represents a syllable, instead of one sound, thus the name syllabary.  As in the Phoenix newspaper, the power of the Cherokee language rises through the printed word on the page, transforming from thoughts to art, Hill explained.

“You already feel the power  of words but capturing them in a book through individual characters you’ve laid out in hot type and on paper you’ve made from linen or hemp fiber really helps you feel them in an art form, too,” said Hill. “To me, binding a book- accordion-style, for instance, is like producing a piece of sculpture.”

As students learn to produce first the paper and then the books, they will also learn skills such as precision, technique, spacing and artistic layout composition, said Hill, who is consulting with noted instructor Frank Brannon. Brannon, who runs his own letterpress studio SpeakEasy Press in Dillsboro, earned his master of fine arts in Book Arts at the University of Alabama and has recently taught Letterpress at the Penland School of Crafts and Papermaking and Printing at the John C. Campbell Folk School.

“One of Frank’s specialties is the Cherokee Phoenix newspaper,” said Hill. “He has explored and published copies from the original hand impressions of type from the Phoenix, found in a 1954 excavation of the New Echota historic site. He hand printed and hand bound the publications for exhibition.”

“The Phoenix was a bi-lingual weekly newspaper printed in parallel columns in Cherokee and English  and one of its biggest subscribers was the British Library,” said Brannon, who also teaches at Book Works in Asheville. “Most folks don’t know that the paper was distributed in Europe, too. The first issue was published Feb. 21, 1828, using the 85 character Cherokee syllabary completed by Sequoyah just seven years earlier,” he said.

The first paper that the Phoenix was printed on came from Knoxville by wagon and it took two weeks to arrive, according to Brannon. The last issue was published in 1834, shortly before the Cherokee removal to Indian Territory in Oklahoma.

“Students will learn the Cherokee history right along with the history of the letterpress,” said Hill.

The Cherokee language will also be incorporated into the course since the books can be published in the Cherokee syllabary, she added.

For more information, contact Hill at 497-3945.

CUTLINE: This example shows a character from the Cherokee syllabary that will be used for the new letterpress at the Oconaluftee Institute of Cultural Arts in Cherokee.